TITLE
ARTISTS
Simon Fujiwara, Anna Jermolaeva, Nikolay Karabinovych, Yuri Leiderman, Voin de Voin & Hanayo
PLACE
Kunsthal Extra City, Antwerp, Belgium
DATES
24.06 — 10.07.2022
Cover for Psychic TV Allegory and Self albom
The exhibition's title quotes at once two works created in the 80s in entirely different geographies but connected by a romantic foreboding of an unreachable another place. One of them is the title of the song Just like Arcadia by the British group Psychic TV. Arcadia embodies a utopian ideal of unattainable harmony be- tween humans and nature named after the ancient Greek historical region and simultaneously a scene of simple pleasure and quiet. Consonant to such a description, the picturesque land- scape of the seaside district of Odesa, which became one of the playgrounds for the local avant-garde artistic group in the early 80s, and where I grew up, bears the same name. Here in 1983, before his departure to Moscow, artist Yuri Leiderman created the work "If you face south, Moscow will be left far behind." The precise and poetical liberating impulse of this artistic gesture would become later an important referential point for the discussion on the decolonization of the northern Black Sea, a place of multiculturality, fertility, and abandoned beauty, a dreamlike landscape with an endless coastline, a spirit that always tended to step out protocols and conventions.
Artistic statements related to identity construction, relations between center and periphery, premonitions, and power structures contoured the mind map of this essay-like exhibition in an attempt to launch a conversation on the experience of being in between different cultures and hierarchies in the Ukrainian south.
These places' ghostly past, present, and future call for more intensive knowledge production and sharing. Of course, rational and quantifiable actions in this domain could be approached despite all the obstacles of translation and local context strangeness. But there is also another approach to the knowledge exchange that grounds on a transfer of a psycho-emotional experience.
Even being tied with a trauma nowadays, such a type of liminal experience could be not only negative, but also may create a constitutive impulse for a better understanding of its uniqueness and the context behind it.
Supporters
This project was realised in the frame of temporary organisation Bodies of Work.
Bodies of Work is a collaboration between Curatorial Studies at KASK & Conservatorium in Ghent and Kunsthal Extra City.
© 2024 Alexandra Tryanova